Tuesday, July 8

A Caricature of Pain

 
 
Our heroes do not feel the pain. This one is no exception. He even challenges the police inspector to prove the contrary. The policeman tries, but having been designated as a villain in the story, he fails. The filmmaker spectacularly succeeds in making a villain out of an entire police force, in the process. The audience grown up on a discourse which does not brook any nuances, laps it up.
Trying to tell the story of mothers who lost their sons in the period it shows, would always have been risky. The filmmaker covers that risk with terrible non-realism. But the casualty is not merely ‘factuality’. Much more can be discounted in pursuit of a commercial success. What it takes toll on is something much more precious and fragile.
Trying to come to the terms with loss of dear ones in a mindless violence in the name of a movement and the state’s response to it, one is left with a numbing feeling what a terrible waste it was! But a narrative that can’t do without ‘heroes’ and ‘villains’ can make only for a successful movie. It is doomed to remain short of becoming a human document.
That would, perhaps, be asking for too much. The filmmaker has made no such claims either. But by placing his story in a period from a recent history with contentious simultaneity of narratives, the filmmaker is treading a path that needs one to be careful of where he places his foot. The filmmaker chooses an easier way.
In this narrative the state represented by its police is making extremists out of ordinary people in cahoots with some corrupt elements from the movement. To bring in a semblance of objectivity, there is an odd policeman,who declines to be part of fake encounter team. But the movement gets a clear sympathetic treatment that is at odds with obvious.
Having said so, what marks the film apart is its steering clear of endorsing the violent movement. The apologists of the movement make a distinction between different kinds of violence, as do a character in the film. The protagonist in the film clearly does not agree with his justification to kill ‘innocents’ but justifies violence, nevertheless. In fact, he glorifies it with some spectacular killings in true ‘filmi-style’. Keeping up with that style he makes a spectacle of returning to the village triumphantly shouting slogans of Jo Bole So Nihal. The resolution is brought about by getting him shot dead by the husband of the girl he was in love with. That brings the film to close in a style.
The style defines the film. That does not make up for the deficiency of the substance but provides the film some of its moments. Those moments are enough to carry the film to a level Punjabi cinema has not seen. That is what redeems the film as a ‘Punjabi film’.
But the problem is the film claims to be about Punjab in a particular period. Whichever side one may be on but one can’t deny the fact that those were traumatic times. The film bases its story on memories of unresolved pain of that phase.
It ends up caricaturing that.
(The review was first published in Punjab Panorama)

Wednesday, December 25

ਅਸੀਂ ਭੁੱਕੀ ਦੇ ਬਣੇ ਆਂ

Desperate drug-addicts of some villages around Lehragaga in Sangrur district came together to protest when supply of their daily dose of opium and poppy husk was curtailed.
(Punjab Panorama)
 

Tuesday, July 9

Sikh art gaining ground at global auctions

Artworks categorised as ‘Sikh Art’ are being featured increasingly in leading art-house auctions, writes Shona Adhikari in Financial Chronicle
Basant Panchami, Gouache heightened with gold on paper, 1850, Christie's
In one of its most recent art auctions, Christie’s had in its Asian Art section, included a large number of artworks categorised as ‘Sikh Art’. This essentially referred to art generated during colonial times and earlier. There have been a number of auctions over the past three or four years by leading international and Indian auction houses who successfully featured and sold artworks in wash, tempera, pen and ink as well as numerous valuable artefacts and daggers.
Christie’s started taking an interest in ‘Sikh Art’ from last year when it auctioned five art pieces in April and a collection of paintings in October 2012; then again in April this year some artefacts went under the hammer. Last month’s exhibition had 10 interesting artworks, including a splendid painting on ivory of the Golden Temple, enclosed in a gold frame.
Bonham’s has also shown great interest in promoting Sikh artworks. This became apparent when number of such works were included in their auction of Islamic and Indian Art, held in June last year. Earlier, at the Chester Sale in February 2011, Bonhams had sold a splendid painting dating back to the 1800s, around the time of the East India Company. Also in January 2011, another rare painting — a view of the Golden Temple at Amritsar — went on sale.
In recent times, there has also been a move to categorise contemporary artists from the Punjab belt under the Sikh Art umbrella. So it now covers Sikh pianters such as Arpita Singh, her husband Paramjeet Singh and the ever popular Manjit Bawa. Arpita’s mural titled Wish Dream, fetched Rs 9.6 crore ($2.24 million) at a Saffronart online auction, making her the world’s top-selling woman artist. When asked about the central figure of a middle-aged woman in her mural, Arpita is reported as having said, “Glamorous women with hour-glass shapes are for film and television. I paint real women.” The mural, painted in oils on canvas in 2000-2001, consisted of 16 canvases clubbed together to create a mural 287 x 159 inches in size.
In September 2008, Manjit Bawa's untitled work sold for $362,500 at a Christie's auction in New York. At the time, the artist was in coma and remained so for three months — unaware of the sale of this particular painting and the many other sales of his works. Two years later in September 2010, again at Christie’s South Asian Modern and Contemporary Art auction in New York, Bawa’s beautiful painting Durga, possibly due to a drop in the general drop in art prices, achieved a slightly lower price, selling for $3,14,000.
We have all read about the royal jewels worn by the royalty of Punjab, that seem to be seen off and on under the auctioner’s hammer in the past. It is hoped that along with jewellery and the other rare artefacts that are periodically up for sale at international auctions, rare paintings of earlier times as well as the works by artists such as Manjit Bawa and Arpita Singh, will somehow find their way back to India sometime in the future.

Monday, July 8

Remembering leftists who died opposing terrorism in Punjab

Many leftist activists who died opposing religious fanaticism and terrorism in Punjab remain forgotten. Gurpreet Singh writing in Straight, remembers them as he talks to relatives of some of these who have made their homes in capitalist countries like Canada and U.S. to earn better livelihoods.
 
As the Sikh community across Canada and elsewhere was observed the 29th anniversary of Operation Bluestar, the name of the controversial attack by Indian troops against the Golden Temple in Amritsar, secular and leftist activists who died opposing religious fanaticism and terrorism in Punjab remain forgotten. 
The Indian army stormed the holiest shrine of the Sikhs in the first week of June 1984 to flush out militants who had brought arms into the place of worship. Operation Bluestar left many dead and parts of the temple complex destroyed, causing great resentment among even moderate Sikhs.
There were angry protests in Vancouver. And in India, this sacrilegious act culminated in the assassination of the prime minister, Indira Gandhi by her Sikh bodyguards.
This, in turn, was followed by an anti-Sikh pogrom across India and later, the Air India bombings that left 331 people dead. 
Critics argue that this was all a result of the cocktail of religion and politics within both the ruling Congress party of India and the Akali Dal, a regional party of Punjab struggling to achieve benefits for the state. 
Some believe the operation was calculated to teach Sikhs a lesson and to garner votes from the Hindu majority. Others blame the Akali Dal for letting militants fortify the Golden Temple with weaponry.     
A memorial for the militants who died fighting he army during Operation Bluestar has been established inside the Golden Temple complex. Now, Hindu fanatics plan a parallel memorial for slain army soldiers. The fiery debate over these memorials overlooks the real secular heroes who've died fighting against this war on terror—back when this terminology had not even entered western consciousness. 
A decade-long armed struggle in the name of Khalistan—an imaginary Sikh homeland—left over 25,000 people dead, most before the terrorist attacks of 9/11 shook the world.
Among those killed for opposing religious extremism were over 300 Communist activists, including prominent progressive poets like Paash and Jaimal Singh Padha. Their 25th anniversary of martyrdom falls this year. 
Most of them became soft targets for militants for opposing religious fundamentalism and social codes imposed by separatists on the media and civilians. Some of these secularists were at the leadership level, while others were much more vulnerable grassroot level supporters.
Whereas a few took up arms to fight militants, others died without any police protection. Ironically, relatives of some of these "Communist martyrs'' have made their homes in capitalist countries like Canada and U.S. to earn better livelihoods.
Paash's widow Rajwinder Kaur has recalled that as soon as there was news of Comrade Jaimal Singh Padha’s murder, Paash knew that he might be next to fall to the terrorists' bullets.
Twenty-five years after her husband was murdered, Kaur lives in California. She maintains that Paash anticipated his death. After all, both Paash and Padha had invited this by challenging religious fanaticism and terrorism when the movement for the theocratic country of Khalistan was at its peak.    
Padha was a leader of the Kirti Kisan Union, a Communist Party of India (Marxist-Leninist) front. He was assassinated on March 17, 1988, by the Khalistan Commando Force.
Paash's premonition turned out to be true when he was murdered along with his friend Hans Raj by the same group almost a week later. It came on the martyrdom day of revolutionaries Bhagat Singh, Sukhdev Thapar, and Shivaram Hari Rajguru, who were hanged by the British Empire on March 23, 1931.
An internationally acclaimed radical poet, Paash had gained popularity as the Naxalite movement grew among India's most dispossessed rural residents. He evoked angry reaction from Sikh militants for writing a provocative essay against religious communalism.
After it was published by the California-based Anti 47 Front—a group of activists who opposed repetition of 1947-like India-Pakistan partition on religious lines—Paash was one of the most sought-after targets when pro-Khalistan militants were systematically killing Communists during the  insurgency in the border state of Punjab. It began in the early 1980s and continued until early 1990s.
Paash was murdered while visiting his native village of Talwandi Salem. By that time, he had immigrated to the U.S. due to economic hardship back home. 
 
Sohan Singh Sandhu
Sitting at his California home, Sohan Singh Sandhu, the ailing father of Paash, talked about the essay. He thinks it provoked the Khalistan Commando Force to assassinate his son.
A close reading of the essay suggests that Paash was not only condemning the ideology of the Sikh homeland, but also the communal politics of Congress and Hindu right-wing groups, such as the Shiv Sena. Interestingly, Paash quoted from Sikh scriptures to denounce the militants' philosophy. He understood Sikhism as a modern and liberal religion, which has no room for sectarianism.
Paash also penned a poem condemning killings of innocent Sikhs during the 1984 attacks on Sikhs following the assassination of Gandhi. It is pertinent to mention that back then, the Communist government in West Bengal protected Sikhs during violence engineered by Gandhi’s Congress party across India. Yet Khalistani militants accused Paash and other Communists of working against their interest.
Armed with all the old news clippings, Sandhu told the Straight that he has no doubt in his mind that it was a political murder. "My son understood Sikhism better than his killers," he said.
Meanwhile, Padha's brother-in-law, Surrey resident Sukhdev Kandola, feels the same.
"Those who killed people like Padha or Paash were the enemies of the Sikh faith," he told the Straight.
Kandola remembered Padha as a grassroots level worker who stood for the rights of the oppressed people and poor. Like Paash, Padha had also tried to challenge extremist ideology by promoting liberal brand of Sikhism through his songs. He and his comrades used the slogan: "Na Hindu Raaj, Na Khalistan, Raaj Karega Mazdoor Kissan!" ("Neither Hindu state, nor Khalistan, only the working class shall rule.") 
Whereas, Paash and Padha were ultra-leftists, even moderate Communist activists and leaders weren’t spared. Among them was Darshan Singh Canadian.
Although his real name was Darshan Singh Sangha, he came to be known as Comrade Canadian for having spent 10 years in Canada from 1937 to 1947. He was in the forefront of the labour movement within the South Asian community in Canada, and had returned to India after it gained independence.
There he joined the Communist Party of India and was first elected as CPI MLA from Garhshankar, Punjab, in 1972. In 1985, he was murdered for his opposition to Khalistan.
Much like others, he too tried to challenge the philosophy of Khalistan through his writings and by quoting from Sikh scriptures. His most provocative essay, "Are Terrorists Gursikhs?’’, attracted threats and intimidation. But he continued to attend public meetings in troubled areas.
Darshan Singh Canadian's daughter Amardeep
His daughter Amardeep, who lives in Vancouver, remembers how he remained steadfast in his fight against militancy.
"He was aware of potential threats to his life, but he did not compromise on his principles," she told the Straight. "So much so he did not take police protection. I am proud to be his daughter.’’
Canadian was visiting her when Indira Gandhi was assassinated. "He was quite concerned about developments in Punjab.," she added.
Canadian’s granddaughter, Navjot Dosanjh, who also lives near Vancouver, said that her grandfather often brought her fruits when she was a small child. "Witnesses noticed fruits scattered all over the place where he was shot to death," she stated. "Apparently, he was bringing them for me when the terrorists murdered him mercilessly."
Indo Canadian Workers’ Association (ICWA) president Surinder Sangha, whose group issued a calendar dedicated to 25th martyrdom day of Canadian, says that Communists have a moral responsibility to stand up against subversive forces bent upon dividing people on communal lines. Although Sangha’s organization is affiliated with the Communist Party of India (Marxist), it buried all political and ideological differences to recognize the sacrifice of Canadian.
"I salute all the Communist activists who died fighting for the sake of unity and integrity of India," Sangha said.
He has a CPI (M) booklet that carries small biographies of over 20 Marxists who were gunned down by Sikh extremists. It was also published in Lokta, a secular Vancouver-based news magazine, when Sikh militants were virtually controlling other Punjabi-language media in Canada.
Threats and physical violence against moderates were very common then.
"These brave comrades not only saved Hindus in Punjab, but also the Sikhs from Hindu extremists outside Punjab," Sangha declared. "Their mission needs to be continued as fundamentalism has not fully ended in Canada." 
ICWA organizer Kulwant Dhesi, who formerly worked with the CPI (M)–affiliated Student Federation of India (SFI),continues to spearhead campaigns against fundamentalists controlling local gurdwaras (Sikh temples). He remembers how militants killed a few of his comrades in the SFI.
A picture of Sarwan Cheema, a towering Marxist leader of Punjab who was assassinated, greets visitors in the living room of his house in Surrey.
“The fight has to go on as the imperial forces that supported anti-India separatists in Punjab back then are still active in Canada, and continue to help pro Khalistan groups who enjoy control over many gurdwaras," he said. 
Dhesi remembered how Khalistanis used to actively raise funds for their movement in Punjab from Canada and the U.S. 
Another former CPI MLA to be assassinated during that period was Arjan Singh Mastana. His sister, Veeran, lives near Vancouver and is struggling with Alzheimer's disease. She vaguely remembered that he was murdered in 1985 and was a better Sikh than the Khalistanis, who have misinterpreted the Sikh faith for ulterior motives.
"By doing that, they have captured local gurdwaras both in the U.S. and Canada," she said.
Veeran has fought against fundamentalists during gurdwara elections.
Jugraj Dhaliwal, a Surrey resident, mentioned that his father, Randhir Singh, was a CPI cardholder from Faridkot. He was murdered merely exercising his democratic right to protest in 1984.
"He took his supporters to a rally that was organized by the party to oppose terrorist violence and that became a cause of his death," Dhaliwal recalled. "With just one stroke they (extremists) took away the life of a man who was a tireless social-justice activist."
Dr Sadhu Singh
Dr. Sadhu Singh, a leftist Punjabi scholar with strong affiliations with the CPI, was forced to leave Punjab in 1991. A resident of Surrey, he received threatening letters for not sporting a turban and long hair and for also speaking out against Khalistan.
"Threats started coming in after I spoke at a seminar held against communalism," he said.
Singh applied for a refugee status in Canada in 1992 on account of threats to his life from the militants. He knew both Paash and Canadian personally, and also lost another leftist friend, Ravinder Ravi, to a terrorist attack.
"Ravi was an active CPI supporter. He was murdered despite being soft-spoken. Ironically he used to advise me not to speak bluntly against religious fanatics, yet it was he who got killed’’.
Toronto-based progressive Punjabi writer and former Naxalite Waryam Singh Sandhu has authored famous short stories on the situation in Punjab. He also remembered an attempt to murder him.
Sandhu understands the philosophy of Sikhism and is highly opposed to the idea of a Sikh homeland. His opponents complained to militants that he had indulged in blasphemy and, as a result, some militants tried to attack his house near Amritsar but failed in their mission. He came to know about it much later. 
Years later, some pro-Khalistan militants became introspective and regretted their strategy of targeting Communists. Although ideological conflict between the left and communal forces continues, the Khalistan Commando Force leader, Labh Singh, wrote in his diary that the policy of murdering Communists—particularly the Naxalites who were fighting against state repression—was not wise.
A portion of the diary was published by Indo Canadian Times in 1995. It stated that even though people like Paash and Padha were opposed to the separatist ideology, the Khalistan leadership should have shown some tolerance for the political criticism instead of murdering opponents. That's because this isolated the pro-Khalistan movement from the masses.
However, this regret is too late and too little for Winkle, Paash’s daughter, who was only six when her father was murdered. With a choked voice she asked: "What did they achieve by killing him? We cannot forget the struggle through which my mother and I had to pass after his murder.’’

Sunday, July 7

Punjab’s tree man leaves behind a green legacy

Gurdev Singh had earned the sobriquet “Trivenian Wala Baba” for planting Trivenis, a cluster of three trees — peepal, banyan and neem, writes Jatinder Preet in The Sunday Guardian
 
Gurdev Singh at his village few days before he died
Nonagenarian Gurdev Singh died this week, leaving behind a rich legacy of green cover around his village Ganduan in Punjab's Sangrur district. The old man had singlehandedly planted hundreds of trees in the village and its surroundings in one of the most backward areas of the state. He earned the sobriquet "Trivenian Wala Baba" in the area for planting a cluster of three trees — peepal, banyan and neem — that are together called Trivenis. Revered for their medicinal value and other benefits in the traditional Punjabi culture, Trivenis find mention in the Holy scriptures of Sri Guru Granth Sahib too. Once found in abundance in Punjab, not many have survived the onslaught of development mainly taken over by agricultural land. The Baba changed that singlehandedly at least around his village.
In the region which has brackish groundwater, unfertile soil and is marked by high incidence of cancer and farmer suicides, this has been a herculean feat for the frail old man who worked tirelessly for over twenty five years to turn the parched land green.
Born in a poor Dalit family, Gurdev Singh had never been to school. He did labour in his youth but as his sons grew up and he stopped working, he dedicated the rest of his life to planting Trivenis. He would go around villages on foot collecting saplings and transplanting them around the village along the school, dharamshala, bus stand and abandoned pathways.
Jagsir Singh, a school teacher and neighbour of the Baba said that some village youth gifted him a bicycle to travel around when they saw his dedication. "People called him mad in the beginning when he had started planting trees but he went on undeterred and the same people now enjoy the shade provided by those trees which have grown big and remember him," said Jagsir.
With his failing eyesight and a bent back Baba went on for years until old age finally caught up with him. He died last week in his sleep peacefully. Karamjit Anmol, a Punjabi film actor hailing from the village, has announced that he and a group of friends from the village have decided they would raise a suitable memorial for the Baba. "We want to honour the memory of the man who transformed the face of our village all by himself, besides raising a memorial that would inspire the generations to come," he said.